罗凯伦(2001年生,广东深圳人)现工作生活于浙江杭州。其于2023年获中国美术学院油画系学士学位,并于2026年获得中国美术学院油画系硕士学位。
罗凯伦的绘画可被理解为一种低声部的存在,并不急于将生活讲讲述成故事,而是选择从日常经验最细小的偏移处确认主体仍在场。那些几乎不值得被叙述的瞬间:光线的指引、凝视的短促相遇、情绪在时间里缓慢沉淀的余波,在这里获得了严肃的位置。与其说这是在描绘亲密空间,不如说这是在检验亲密空间如何成为一种感知装置,让人们重新意识到,生命体验的重量常常并不来自事件的规模,而来自事件与情绪之间那段不可忽略的迟滞。于是,我以色彩为触媒的创作方法显得格外关键,从随机的铺色开始,让颜色先占据画布,继而由痕迹与覆盖引出记忆的回返。图像不是被再现的对象,而是触发回忆的线索;绘画不是生活的插图,而是生活在心理层面重新“发生”的先验条件。 Luo Kailun (b. 2001, Shenzhen, Guangdong) currently lives and works in Hangzhou, Zhejiang. She received her BFA in Oil Painting from the China Academy of Art in 2023 and her MFA in Oil Painting from the China Academy of Art in 2026.
Luo Kailun's painting can be understood as a kind of undertone presence—one that does not rush to narrate life into a story, but instead chooses to confirm the subject's continued presence from the smallest displacements within everyday experience. Those moments scarcely worth narrating—the guidance of light, the brief encounter of a gaze, the lingering aftermath of emotion slowly settling over time—are granted a serious place here. Rather than depicting intimate space, this is an examination of how intimate space can become an apparatus of perception, allowing people to rediscover that the weight of lived experience often does not come from the scale of events, but from the unignorable lag between event and emotion. Thus, her creative method, with color as catalyst, becomes especially crucial: beginning with random applications of color, letting color first occupy the canvas, and then allowing traces and overlays to draw forth the return of memory. The image is not an object to be represented, but a clue that triggers recollection; painting is not an illustration of life, but the a priori condition through which life "occurs" anew on a psychological level.